Xs

My jaw clicks when I chew gum.

It's a strange but pleasing sound I'm not sure

can be heard by anyone else, but

chewing on my left side makes my left ear feel

like shook up soda

pop.

I have to chew on my left side;

the right side anymore is out

of order.

Canines in the back, 

wisdom TEETH hogging the front

(and that one table top I cracked on a taquito

before I learned how to switch

hit)

I was skinny then, and for a long time.

I loved no one and only now

does that seem to have been a terrible

waste.

I am shaped like knee pads and tupperware now.

Like helmets and tissues and the written word SQUEEZE.

Stretch marks n' Xhaustion mark my heart

in the sand,

and here I've fallen madly out of love

with the only person who ever

dug it.

goddammit, Croce...

Alright, alright.

You want fewer nuts/more nougat, right?

Fine, fine, fine.

 

I must have stared for 10 solid minutes

at pictures of us before, 

you know,

we became allergic to 

each other.

 

I marvel at how well my excitement still communicates

despite 7 years of steady sneezing.

My eyes looked more like commas, then.

I didn't need instruction to smile 

for the camera.

 

I can hear myself gabbing and it hurts like a sonofabitch

to know that I currently have No Idea

what the hell I kept on about.

 

The Me Now would have told the Me Then

(with a finger poked in her blooming breast),

just how utterly foolish she sounded

 

'cept the Me Then wouldn't have cared

what some bitter old broad thought.

 

Mom has said for years

that we'd probably make better friends 

than lovers.

Though I've never heeded her advice.

 

I guess I'm kinda dumb

that way.

Married women fantasize better under the delusion that puppies never turn into dogs

If love (whether I like it or not love) is being smothered by heavy,

Goddamn You, Shut the Fucking Bathroom Door pillows,

then this feeling I'm talking about,

this Nowhere in Particular feeling,

is the same pillow before any pressure is applied.

Just a cool surface laid on warm, wanting cheeks.

The smell of clean. A millennial who still believes in 

dryer sheets.

Gaaaaaawtdamn.

 

I want to know what his palms feel like

pressed flat against...wherever I'm still flat.

I want to know what he looks like

cruising city streets at night,

with the orange glow of street lamps 

absorbed in his

new skin.

 

Like any other handsome fella,

I tell myself that I could probably learn to love him enough

to take permanent markers to his bathroom door- 

KEEP CLOSED,

 

but I like him enough right now to spare him

the awkward trip 

to Home Depot.

Love, Simile (collab. with Chloe Walden)

You're like a lightning USB cable that everyone wants to borrow

but nobody can find

so they keep asking me,

but I'm too flattered and embarrassed to ask

why the hell they would think I had it

in the first place.

 

You're the sticky substance on my keyboard

that I'm fairly certain is a harmless soda spill,

but I've lent my laptop to someone this week.

But nevertheless,

you're sweet.

 

You're something like the Good Lord in that

I'm still skeptical you exist,

and when I tell people I know You,

they seem unusually pleased

for me.

 

You're like the oscillating fan in my bedroom.

I get great satisfaction from staring at you

when I'm bored.

 

You're like change I forgot I had in my pocket.

I am pleased each and every time I find you,

but I also feel like shit for telling that homeless guy

that I didn't have

any change.

 

You're like the vanilla scented candle on my bookshelf.

I enjoy watching the way in which you melt

when I blow

on you.

 

You're like a freshly sharpened pencil

that keeps stabbing me from inside

my jacket pocket.

Like most things in my life,

you'll become dull before I even get a goddamned chance

to use you.

 

You're like a well worn book.

I like the way you feel as I turn your pages,

and I find you much more enjoyable than reading on my tablet

or phone.

Oh,

and sometimes you smell nice

too.

Mimis

I wanted to freeze us in time, last night.

I wanted to capture the moment in pictures,

or that quick drying putty that immortalized Han Solo,

and I wanted to put us in a museum.

Next to less lovely masterpieces.

I wanted to keep that moment especially.

 

Your head makes so much heat, little boy.

Your chunky trunks stay cool.

Cold, almost.

You kick at random and reach your pudgy mitts 

up toward the collar of my tshirt.

And you anchor yourself.

Like a sweat-headed chimp 

on an ugly, lumpy tree.

 

You whisper before you fall asleep,

Daaaa....daDAAAaaaa....shashashaaaa      ....

You close your eyes and drift away

and I love you more than the word has room for.

 

I love you more than speech allows.

 

I love you more than God so loved the world,

because I wouldn't give you up

for anydamnbody

or anydamnthing

or anydamnplace

for anydamnreason.

 

In fact,

I'd grow another lump

for you to rest your head on.

 

I'd grow a thousand little branches

stemming from the corners of my eyes

down to the corners of my mouth

through my hands

around my belly

and down to my rough soil knees

 

and I'd carry you gently

with leaves softer than sweetness

to the place where I'm allowed

just one thing to hold onto.

 

There is a jackal there now,

but I'd rip him apart.

After all these years,

I'd let that goddamned beast go.

 

And I'd put you there instead, love.

 

And I'd be alright.

 

Perfect, even.

More than the hippies want peace

I want you the way the waiter girl at the dive bar

wants me to stop talking

and just leave her tip.

 

I want you the way the neighbor’s dog wants

attention – 

hands new and patting 

and new and 

petting,

I want you as bad as his tongue wants to lick.

 

I want you the way the street sign wants compliance;

I want you the way the black van wants the same.

 

I want you over and under and buried between like

a slow-working pin turning thread to

crochet.

 

I want you soft like a question afraid of its answer;

I want you hard like a 'p' in an unfiltered mic.

 

I want you now and every day like

a child wants Christmas,

but mostly, I want to know that

you're doing alright.

In You, the Moon

You are perfect in your roundness, child.

Your eyes reflect the viewless room - 

this safe place I have made for you.

They still lack understanding, love,

but even that is perfect, too.

 

My gleeful darling, 

my joyous Hoot!

your smile mimics love in bloom - 

nervous first steps, then full on swoon.

You are perfect in your roundness, child.

A glowing soft, craterless moon.

Stitch Marks

there are spaces between the warm

worn fibers

tiny holes in the weave of his 

tired being

 

he lays himself down in random patterns

always with a sigh

as though to let go of some ling-

-ering fancy

 

a girl he thought he might reconnect with,

a beer his lips fantasized they might kiss

 

how I long to be that girl, I think

as my own stitches come

so irreparably undone

 

how I yearn to be that pint after work,

consumed with purpose and 

sensuous greed

 

those same lips that tell me 

we’ll buy diapers next week,

I want to wear them like a bed wears

silk sheets

 

oh, that I could be

his deep

Breath

IN

 

a life-giving inhale 

before eventual sigh

 

tight, like a quilt 

before the moth mouths 

of time

Son,

I see constellations in your eyes.

Forces bursting with light and all matter,

chemicals only produced 

twice a life.

 

Your eyes are not too young to cry,

but true sadness is knowing,

so tears never come.

Your whines and quick smiles 

strip galaxies of wonder;

they become, at best,

a left-handed sketch - 

a shadow that didn't exist

before dawn.

 

Child,

my sun,

I revolve around you.

And the interstellar gas

collapsed in your diaper?

Yes, nebulove,

I orbit that, too.

Security Blanket

your eyes and mouth take shape

open like needy palms in winter

close like the madness of lips out of love

spread like a narrative across pages impossible

and with my tiny hands

and needle mouth

we weave shelters that defy

the knife 

skin on skin atop the seasons

you were different then

your worries filled the bulbous ends of pens 

and the ink was almost always re(a)d

you were made ill with promise

and ill you’ve remained,

but it isn’t just you

I was different then, too.

There are traces of weather

cycling through your pores

I give and take cover

but fall through the earth

Abandoned cities smolder in your eyes

I respect their ruin with unsubtle avoidance

and know that this city will join them

in time

your lungs are a graveyard 

littered with near Mrs.

and as I listen for laughter I hear 

only rain

Post Script:

I want to live inside your heart

like a mirror hung

inside a closet.


the days will pass without us, dear

tomorrow’s murder of the mountains

will resemble a fistful 

of nervous pastimes

and they, the things that will grow to spite us,

have already soiled their sheets

(which Must mean we are free)

((to amputate roses/

to snuff petaled doves))


I want to be your wild thing.

Your complete work.

Your cherry tree.


if the day should come 

that your eyes start to focus,

that you realize you’d prefer your material

cooked,

then I will abide by the laws keeping your bottle caps rosy

and let it pass by

without me.

Things Granted and Not

Wrap yourself in my longing for the unremarkable, dear.

Let my arms assume the warmth

of day-to-mundane things.

The clink of a toothbrush,

the click of a seatbelt,

the clang of a bottle,

and eventual collapse. 

Pad your palms with my palms

and let your morning scratch linger.

Rub your forehead and know

that it means

everything. 

The Emancipation of the Dissonance

goodbyes are such masturbatory things


let us avoid the indecency then 

and, instead,

expose ourselves to the problem of the ping


we are hopeless chromantics, you and I

  t

  r

i

c

  k

    l

  i 

n

down one 

half

    (hearted)step 

                            at a 

                                time


As The Call (reaches      s  l  o  w  e  r  )

So The Echo (responds

                            lower)


and the distance,

cozy little Control freak that it is,

shows us that while we are very willing

we are nothing against the

Very Able


I want to preserve us in 

eighty-eight different ways


and leave Pete all alone

in that stupid boat of his.

Widows of Opportunity

(Lovers Against Equine Suffering)

nothing prepares you for the runaway train


the same screaming vessel

that held you between sleeps

now sings

commandeered by a misshapen hero


you mouth to your friends

"are you seeing this?"

but they aren't

they can't

explanations are useless

[and] you're almost alone


the masked individual 

warns you with a kiss

that your time together

is long or short

and forgetting will be the task

of the goddamn century


your friends are asleep

in the distance, a howling

a soporific screech


what happens next

bleeds or pleases with poetry

and love is beaten

and beaten

and

The Invitation II

Come to me quietly

tip-toed and five shy

breathe inward between the 

betrothed lines

make good on your promise

make love on my time

and know that this comes

at a price.

Spirograph

I am the one who stays put

Your pens fills my 

round mouth with awe

with rounded teeth

and rounder words

you press down

firmly

making beautiful patterns

patterns that resemble

one thousand poems

two thousand miles

and four beating hearts

I am a flightless bird

on a leather leash 

I am conditioned to choke

please

forgive me

Broad Sweeping eMotions

In my haste to douse

the rising flames

I have forgotten the most important rule

and neglected to leave myself 

an avenue for 

escape


In a crowd of people

struggling to pronounce my name

the heat has become

overwhelming


I have backed myself

into a closet


where I find you


hiding beneath someone's 

Going to Work pants


you pull me down

while the smoke screams rise

and you put your mouth on my mouth


your breath is my breath

your fear is my fear


I wasn't around when they built the house

so I don't know if we'll survive

but I can think of no place I'd rather be

when it inevitably comes tumbling

down

A Taxed Title and a License, of sorts

it is you that I belong to


not the strung strummed guts

or the floating down feathers


not the lonely tap or the crowded bar

or the seventy-sixth trombone to say it


not the cobwebs or the canvas

or the Guest Only glassware  

or the heartbroken rib

aching

writing this


it is You

that i belong to


and i think i finally know

why the caged (hulking tweety) bird

sings